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Etikettarkiv: Cecil B. DeMille
Hollywood 101 – del 10 – Akademin
1926 var filmbranschen en industri och Hollywoods filmbolag gjorde stora pengar, men Louis B. Mayer var orolig. Huset på stranden Studiosystemet var cementerat 1926. Hollywood hade fyra stora filmbolag – MGM, Paramount, Fox och Warner Bros – som var vertikalt … Läs mer
Publicerat i -1927, 1928, 1929, 1930, 1931, Hollywood
Etiketter 1929 Oscars, 1930 (I) Oscars, 1930 (II) Oscars, 1931 Oscars, 1932 Oscars, 1st Academy Awards, 2nd Academy Awards, 3rd Academy Awards, 4th Academy Awards, 5th Academy Awards, 7th Heaven (1927), Academy Awards, Akademin, All Quiet on the Western Front (1930), AMPAS, Cecil B. DeMille, Cimarron (1931), Columbia Pictures, Conrad Nagel, Douglas Fairbanks, Fred Beetson, Fred Niblo, Joe Cohn, Lewis Milestone, Louis B. Mayer, Metro-Goldwyn-Mayer, MGM, Paramount Pictures, RKO, Santa Monica, Sunrise: A Song of Two Humans (1927), The Academy, The Academy of Motion Picture Arts and Sciences, The Academy Scientific and Technical Awards, The Ambassador Hotel, The Hollywood Roosevelt Hotel, The Jazz Singer (1927), Thomas Edison, United Artists, Universal Pictures, Warner Bros, William C. DeMille
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Hollywood 101 – del 8 – MGM
Under 1920-talet skedde en stor omstrukturering av hela filmbranschen – den etablerades slutligen i Hollywood, flera bolag integrerades vertikalt från produktion till visning, och många bolag gick under eller köptes upp eller gick samman. Det här är berättelsen om fem … Läs mer
Publicerat i -1927, Hollywood, Iwerks Studio, MGM
Etiketter A Night at the Opera (1935), A Tale of Two Cities (1935), Adolph Zukor, Alco Films, Alfred Hitchcock, Anna Karenina (1935), Archibald Selwyn, B.P. Schulberg, Burlesk, Buster Keaton, Carl Laemmle, Cecil B. DeMille, Charlie Chaplin, David Copperfield (1935), David O. Selznick, Dinner at Eight (1933), Edgar Selwyn, Famous Players-Lasky Corporation, Fatty Arbuckle, From the Manger to the Cross (1912), George Grombacker, Goldwyn Picture Corporation, Gone with the Wind (1939), Grand Hotel (1932), Greta Garbo, Irving Thalberg, Jesse L. Lasky, Jesse L. Lasky Feature Play Company, King Kong (1933), Leo the Lion, Lewis J. Selznick, Louis B. Mayer, Marcus Loew, Metro Pictures Corporation, Metro-Goldwyn-Mayer, MGM, Mickey Mouse, Mutiny on the Bounty (1935), Nathan H. Gordon, Nickelodeon, Oscar Apfel, Paramount Pictures, Richard A. Rowland, RKO, Romeo and Juliet (1936), Roscoe Arbuckle, Rudolph Valentino, Samuel Goldfish, Samuel Goldwyn, Samuel Goldwyn Productions, Sealed Valley (1915), Selznick International Pictures, Tarzan the Ape Man (1932), The Academy, The Academy of Motion Picture Arts and Sciences, The Four Horsemen of the Apocalypse (1921), The Good Earth (1937), The Irving G. Thalberg Memorial Award, The Irving Thalberg Building, The Kid (1921), Ub Iwerks, United Artists, Universal Pictures, Walt Disney
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Hollywood 101 – del 6 – United Artists
En filmbolagschef uttryckte det som att dårarna hade tagit över dårhuset, och egentligen: hur skulle tre skådespelare och en regissör kunna sköta ett eget filmbolag? Ganska väl, skulle det visa sig. Den störste dåren Charlie Chaplin kom till Hollywood 1913, … Läs mer
Publicerat i -1927, Hollywood, United Artists, Walt Disney Productions
Etiketter A Dog's Life (1918), Academy Awards, Adolph Zukor, Al Jolson, Albert Banzhaf, Anna Beth Sully, Arrowsmith (1931), Biograph Studios, Broadway, Broken Blossoms (1919), Buster Keaton, Caught in the Rain (1914), Cecil B. DeMille, Charles Chaplin Sr, Charlie Chaplin, Charlotte Hennessey, City Lights (1931), Constance Talmadge, D.W. Griffith, Darryl F. Zanuck, David Wark Griffith, Dennis F. O'Brien, Dodsworth (1936), Douglas Fairbanks, Douglas Fairbanks Jr, Eddie Cantor, Edison Studios, Edwin Porter, Essanay Film Manufacturing Company, Famous Players Film Company, First National, Gladys Louis Smith, Gloria Swanson, Hannah Chaplin, Hell's Angels (1930), Hiram Abrams, His Majesty the American (1919), Howard Hawks, Howard Hughes, In Old California (1910), Intolerance (1916), Isn't Life Wonderful (1924), John Ford, Joseph M. Schenck, Judith of Bethulia (1914), Keystone Studios, Kid Auto Races at Venice (1914), Ku Klux Klan, Little Lord Fauntleroy (1921), Mabel's Strange Predicament (1914), Making a Living (1914), Mark Sennett, Mary Pickford, Mexikanska inbördesrkiget, Mexikanska revolutionen, Mexiko, Modern Times (1936), Mutual Film, Mutual Film Corporation, Natalie Talmadge, Norma Talmadge, Orphans of the Storm (1921), Pancho Villa, Paramount Pictures, Pollyanna (1920), Reliance-Majestic Studios, Robin Hood (1922), Ronald Coleman, Rosita (1923), Samuel Goldwyn, Scarface (1932), Shoulder Arms (1918), Technicolor, The Birth of a Nation (1915), The Circus (1928), The Gold Rush (1925), The Immigrant (1917), The Lamb (1915), The Life of General Villa (1914), The Mark of Zorro (1920), The Oscars, The Silver King, The Thief of Bagdad (1924), The Three Musketeers (1921), The Tramp, The Warrens of Virginia, Twentieth Century Pictures, United Artists, Walt Disney, Way Down East (1920), William C. DeMille, William Gibbs McAdoo, William S. Hart, William Wyler, Woodrow Wilson
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Hollywood 101 – del 3 – Paramount Pictures
Universal Pictures stannade i växten ungefär vid övergången till ljudfilm under slutet av 1920-talet. En anledning var studiobossen Carl Laemmles konservativa syn på filmproduktion som han ansåg borde vara skild från distribution och visningsfönster. Universal satsade därför aldrig på biografkedjor. … Läs mer
Publicerat i -1927, Fleischer Studios, Hollywood, Paramount Pictures
Etiketter Adolph Zukor, Beatrice DeMille, Betty Boop, Block booking, Boston, Broadway, Buffalo, Carl Laemmle Sr., Cecil B. DeMille, Charles Frohman, Charlie Chaplin, Chicago, Clara Bow, D.W. Griffith, Daniel Frohman, Douglas Fairbanks Jr, Famous Players-Lasky Corporation, Federal Trade Commission, First National, Flapper, Fleischer Studios, Första världskriget, Gloria Swanson, Gustave Frohman, Hiram Abrams, Inkwell Imps, Jesse L. Lasky, Jesse L. Lasky Feature Play Company, Katherine MacDonald, Les Amours de la reine Élizabeth (1912), Los Angeles, Marcus Loew, Mary Pickford, Max Goldstein, MGM, Mitchel Mark, Moe Mark, Morris Kohn, New York, Newark, Ogden, Oscar Apfel, Österrike-Ungern, Paramount Famous Lasky Corporation, Paramount Pictures, Paramount Pictures Corporation, Philadelphia, Popeye, Preferred Pictures, Pueblo, Ricse, RMS Lusitania, Rudolph Valentino, Salt Lake City, Samuel Goldfish, Samuel Goldwyn, San Francisco, Screen Songs, Talkartoons, The Count of Monte Christo (1913), The Squaw Man (1913), Universal Pictures, William Wadsworth Hodkinson, World's Columbian Exposition
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Hollywood 101 – del 2 – Universal Pictures
Filmindustrin föddes i Fort Lee, New Jersey, under Thomas Edisons patenttrust, men det var en utmanare till Edisons patent som skulle göra Hollywood till filmproduktionens centrum. En ny sorts filmbolag Carl Laemmle Senior föddes 1867 till judiska föräldrar i Laupheim, … Läs mer
Publicerat i -1927, Hollywood, Universal Pictures, Walter Lantz Productions
Etiketter Adam Kessel, Carl Laemmle Jr., Carl Laemmle Sr., Cecil B. DeMille, Champion Film Company, Charles Baumann, D.W. Griffith, David Horsley, Erich von Stroheim, Florence Lawrence, Foolish Wives (1922), Fort Lee, Gaumont, Goldwyn Picture Corporation, Hollywood, Independent Moving Pictures Company, Irving Thalberg, Jacksonville, John Ford, King Baggot, Laemmle Film Service, Lon Chaney, Louis B. Mayer, Louis B. Mayer Productions, Mark Dintenfass, Merry-Go-Round (1923), Metro Pictures Corporation, Metro-Goldwyn-Mayer, MGM, Motion Picture Distribution and Sales Company, MPPC, Nestor Film Company, New York Motion Picture Company, Nickelodeon, Nordisk Film, North Hollywood, Ogden Nash, Pat Powers, Pathé, Powers Motion Picture Company, Rex Motion Picture Company, San Fernando Valley, The Hunchback of Notre Dame (1923), The Motion Picture Patents Company, Thomas Edison, Titanus, Universal City, Universal Film Manufacturing Company, Universal Pictures, Universal Studios, Walter Lantz, William Swanson
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