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Etikettarkiv: Morris Meyerfield Jr
Hollywood 101 – del 9 – RKO
Framgångarna med Warner Bros The Jazz Singer tvingade alla filmbolag att konvertera till ljud. En del bolag med tillgång på ljudteknik, men som ännu inte hade sökt sig till filmbranschen, vädrade morgonluft. Nu blir det alfabetssoppa. RCA Guglielmo Marconi föddes … Läs mer →
Publicerat i -1927, Hollywood, Van Beuren Studios
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Etiketter A Bill of Divorcement (1932), Alexander Graham Bell, Annie Jameson, Benito Mussolini, Benjamin F. Keith, Biograph Company, bröderna Lumière, Candy butcher, Carpathia, Charlie Chaplin, Cimarron (1931), David O. Selznick, David Sarnoff, Edward F. Albee, Fascism, FBO, Film Booking Offices of America, Fred Astaire, Fred Thompson, GE, General Electric, George Cukor, Guglielmo Marconi, Guiseppe Marconi, Gustav Walter, Harold Bride, Harold Cottam, Harry F. Robertson, Harry Houdini, Hayden Stone & Company, Jack Philips, Jameson & Sons, Joseph P. Kennedy, KAO, Katherine Hepburn, Keith-Albee, Keith-Albee-Orpheum, King Kong (1933), Martin Beck, Merian C. Cooper, MGM, Morris Meyerfield Jr, Mutual Films, National Broadcasting Company, NBC, Nobelpriset i Fysik, Orpheum Circuit, P.T. Barnum, Paramount Pictures, Pat Powers, R-C Pictures, Radio, Radio Corporation of America, Radio-Keith-Orpheum, RCA, RCA Photophone, Rio Rita (1929), RKO, RMS Lusitania, Robertson-Cole, Roustabout, Rufus S. Cole, Spanska sjukan, Technicolor, Telegrafi, The Bijou Theater, The Jazz Singer (1927), The Mistress of Shenstone (1921), The Wireless Telegraph & Signal Company, The Wireless Telegraph Company of America, Thomas Edison, Titanic, Union Square Theater, Varité, Vaudeville, Wanamaker's, Warner Bros, White Star Line
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