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Etikettarkiv: Scarface (1932)
Animerade Oscars – 1932
Den femte Oscarsgalan var den första som erkände kortfilmer som säregna konstformer, Best Short Subject, och Akademin slog på stort med tre kategorier: Live Action Comedy, Live Action Novelty, och en för animerade kortfilmer: Cartoon. Säsongen 1931-1932 För att nomineras … Läs mer
Publicerat i 1931, 1932, Harman-Ising Productions, Hollywood, United Artists, Walt Disney Productions, Warner Bros
Etiketter 1932 Oscars, 5th Academy Awards, Akademin, Alfred Lunt, Arrowsmith (1931), Bad Girl (1931), Best Actor, Best Actress, Best Director, Best Picture, Best Short Subject Cartoon, Conrad Nagel, Depressionen, Douglas Fairbanks, Dr. Jekyll and Mr. Hyde (1931), Dracula (1931), Emma (1932), F.W. Murnau, Five Star Final (1931), Flowers and Trees (1932), Frank Borzage, Frankenstein (1931), Fredric March, George Eastman, Grand Hotel (1932), Helen Hayes, Howard Hawks, It's Got Me Again! (1932), Joe Grant, Josef von Sternberg, King Vidor, Live Action Comedy, Live Action Novelty, Louis B. Mayer, Lynn Fontanne, Marie Dressler, MGM, Mickey Mouse, Mickey's Orphans (1931), Oliver Hardy, One Hour with You (1932), Outstanding Production, Parade of the Award Nominees (1932), Paramount Pictures, Paul Muni, Produktionskoden, Scarface (1932), Shanghai Express (1932), Silly Symphonies, Stan Laurel, The Academy, The Academy of Motion Picture Arts and Sciences, The Ambassador Hotel, The Champ (1931), The Guardsman (1931), The Hays Code, The L.A. Record, The Music Box (1932), The Sin of Madelon Claudet (1931), The Smiling Lieutenant (1932), Thomas Edison, Universal Pictures, Wallace Beery, Walt Disney, Will H. Hays, Wrestling Swordfish (1931)
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Bosko i sirapen
Warner Bros hade 1932 etablerat sig som studion som gjorde lite mer socialrealistiska filmer, ofta med berättelser tagna direkt från tidningarnas rubriker. Deras gangsterfilmer gjorde stjärnor av skådespelare som Edward G. Robinson och James Cagney, och de startade karriärer för … Läs mer
Publicerat i 1932, Harman-Ising Productions, Warner Bros
Etiketter 42nd Street (1933), Bosko, Bosko and Honey (1932), Bosko at the Beach (1932), Bosko the Drawback (1932), Bosko the Lumberjack (1932), Bosko the Talk-Ink Kid (1929), Bosko's Dizzy Date (1932), Bosko's Holiday (1931), Bosko's Store (1932), Bosko's Woodland Daze (1932), Boston, Bruno, Carman Maxwell, Darryl F. Zanuck, Dave Fleischer, Edward G. Robinson, Fleischer Studios, Fox Film Corporation, Friz Freleng, Galizien, Ginger Rogers, Great Molasses Flood, Honey, Howard Hawks, Hugh Harman, I Am a Fugitive from a Chain Gang (1932), Jack Warner, James Cagney, Jiddisch, Leon Schlesinger, Little Caesar (1931), Looney Tunes, Maurice Schwartz, Merrie Melodies, Mervyn LeRoy, Michael Curtiz, Mickey Mouse, Norman Blackburn, North End, Österrike-Ungern, Paul Muni, Ride Him Bosko! (1932), Robert McKimson, Rollin Hamilton, Roy Del Ruth, Rudolf Ising, Scarface (1932), Silly Symphonies, The Caddo Company, The Purity Distilling Company, The Valiant (1929), United Artists, Walt Disney Studios, Wilber
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Hollywood 101 – del 6 – United Artists
En filmbolagschef uttryckte det som att dårarna hade tagit över dårhuset, och egentligen: hur skulle tre skådespelare och en regissör kunna sköta ett eget filmbolag? Ganska väl, skulle det visa sig. Den störste dåren Charlie Chaplin kom till Hollywood 1913, … Läs mer
Publicerat i -1927, Hollywood, United Artists, Walt Disney Productions
Etiketter A Dog's Life (1918), Academy Awards, Adolph Zukor, Al Jolson, Albert Banzhaf, Anna Beth Sully, Arrowsmith (1931), Biograph Studios, Broadway, Broken Blossoms (1919), Buster Keaton, Caught in the Rain (1914), Cecil B. DeMille, Charles Chaplin Sr, Charlie Chaplin, Charlotte Hennessey, City Lights (1931), Constance Talmadge, D.W. Griffith, Darryl F. Zanuck, David Wark Griffith, Dennis F. O'Brien, Dodsworth (1936), Douglas Fairbanks, Douglas Fairbanks Jr, Eddie Cantor, Edison Studios, Edwin Porter, Essanay Film Manufacturing Company, Famous Players Film Company, First National, Gladys Louis Smith, Gloria Swanson, Hannah Chaplin, Hell's Angels (1930), Hiram Abrams, His Majesty the American (1919), Howard Hawks, Howard Hughes, In Old California (1910), Intolerance (1916), Isn't Life Wonderful (1924), John Ford, Joseph M. Schenck, Judith of Bethulia (1914), Keystone Studios, Kid Auto Races at Venice (1914), Ku Klux Klan, Little Lord Fauntleroy (1921), Mabel's Strange Predicament (1914), Making a Living (1914), Mark Sennett, Mary Pickford, Mexikanska inbördesrkiget, Mexikanska revolutionen, Mexiko, Modern Times (1936), Mutual Film, Mutual Film Corporation, Natalie Talmadge, Norma Talmadge, Orphans of the Storm (1921), Pancho Villa, Paramount Pictures, Pollyanna (1920), Reliance-Majestic Studios, Robin Hood (1922), Ronald Coleman, Rosita (1923), Samuel Goldwyn, Scarface (1932), Shoulder Arms (1918), Technicolor, The Birth of a Nation (1915), The Circus (1928), The Gold Rush (1925), The Immigrant (1917), The Lamb (1915), The Life of General Villa (1914), The Mark of Zorro (1920), The Oscars, The Silver King, The Thief of Bagdad (1924), The Three Musketeers (1921), The Tramp, The Warrens of Virginia, Twentieth Century Pictures, United Artists, Walt Disney, Way Down East (1920), William C. DeMille, William Gibbs McAdoo, William S. Hart, William Wyler, Woodrow Wilson
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